If you have spent any time looking at my work you know I enjoy shooting portraits. You may have also noticed that I often process my photos in black and white. It’s typically not something that I elect to do on purpose the photos just end up that way. In the case of my most recent shoot with Haven Hudson I ended up making the entire section black and white.
Why Make Photos Black and White?
The most common reason that I choose to make photos black and white is because they were shot in low light. Because I’m compensating with a higher ISO and to a lesser extent larger Apertures the photos I shoot in low light tend to have a shallow depth of field along with a noticeable amount of “noise” (Grain, Static, artifacts and discoloration). While noise is a common byproduct of increasing the sensitivity of your camera’s sensor it is typically something many photographers would like to avoid. It’s why camera manufactures will invest a respectable amount of research and development into getting cameras to shoot at higher ISOs with less Noise. However even the best cameras shooting at 6400 ISO are going to show some noise but that doesn’t mean an image is ruined.
In my opinion a humble amount of noise can give photos a film like quality. In an era where Photoshop can polish an image down to the point where it looks more like a life like painting it can be a bit refreshing to keep some of the old rough edges to images as opposed to scrubbing the photos of their soul and leaving them as nothing more than images. The issue is though is that Digital Noise isn’t film grain. It has completely different qualities, the most significant being the way it effects color tones; They can become muddy and difficult to grade colors the way you want. It is especially difficult when it comes to skin tone which tend to be a pain in the ass to change anyways. However if you are okay with less color and a bit of grain you can get some very vintage/filmic looking images.
This is what makes black and white such an effective method of editing. You’re not worried about what the colors look like you’re more focused on what your exposure, Contrast, whites, blacks, shadows and highlights are doing without having to stress about color balance or saturation as well.
Technical justifications aside the main reason to process in black and white is purely a aesthetic choice. I have always loved the way black and white photography looks especially when it comes to my more candid and improvisational photography. I like having photos that look like you could find them in the attic of you grandparents house and it’s a big reason I frequently order 4×6 prints on some of my favorite photos. One day someone is going to be going through my old stuff and that photos I have taken throughout my life.
Shooting with the Fuji X100f.
The Fuji X100f is a relatively new addition to my camera bag. I have had it for the last 6 months and in my time shooting with it there are some certain qualities that I have grown to appreciate and other that I have learned to loath and this Black and White series is a good illustrations of the good the bad and the ugly when it
comes to this camera.
The image quality off the sensor of this camera is excellent. I have grown so spoiled by shooting with a full frame Nikon DSLR that I have grown pessimistic when it comes to smaller sensors but the APS-C sized chip on the X100f Renders details and colors so well that in the right lighting conditions you would think that you were shooting with a full 35mm sensor.
I personally believe the sensor benefits from having a well paired lens attached to the front of it. The 23mm f2 lens that is fixed on the Fuji is roughly a 35mm equivalent on the APS-C Sensor and the combination of the f2 wide open aperture and being fixed focal length allows for very precise rendering that takes some very breathtaking images.
The final thing that I love about the camera is how fast it is. The auto focus, the shutter response (along with being incredibly quite) allows me to shoot very quickly and the responsiveness of the camera to my adjustments happen at such a pace that I can focus on shooting more than constantly making minor adjustments.
The X100f is not well suited for portraits, Not going to lie about that. While I am super pleased with the image quality coming out of the camera there are some things that makes it hard to get portraits to look the way portraits to should look (at least for my personal prefrence.
Because the lens is a 23mm it has a lot of the qualities and drawbacks of a wide angle lens. Noticeable distortion, the bokeh (blurred Background) never quite gets the subject isolation you want and getting the right composition becomes a bit more of a challenge.
Most of these things can be overcome with some editing. Adobe Lightroom (Which I almost exclusively edit with) has profile corrections built right in for this camera and the you can add more blur the background if you’re into that kind of thing but ideally you want to minimized editing by getting as much in camera as I can and having my processing for implementing the style I want. Not so much for fixing issues.
The high ISO performance on this camera is sketchy at best. The noise after 3200 ISO is Pretty noticeable but the thing that I constantly notice is how muddy the mid-tones become as you raise the sensitivity. It is especially rough on the color quality. after 1600 ISO the color starts to fall apart on the RAW files to the point that you almost feel like you have to go to black and white which I why I elected to edit all of these photos in black and white. I’ve noticed in time that people are really committed to color photography and I will often deliver black and white photos and have people ask me to convert them back to color. So for me I’m okay with living with a camera I know I’m going to get some color issues but I think there a lot of photographers and clients out there who color quality is non-negotiable.
Video in Black and White:
I want to get back to shooting video more often. Typically I don’t mix a lot of my video work with my portrait work but it has been something that I have wanted to do. After Editing the whole set in Black and White I decided I wanted the video I captured to match.
I shot the Video on my Nikon D600 with the Nikon 24-120 f4g lens. This Camera is a bit on the old side when it comes to video performance. It shoots at 1080p at 30fps (I shoot in 24fps) on a H.264 codec which is respectable but there are a lot of 4k 60fps options hitting the market with better codecs and more video centric features. But the footage from the 35mm sensor looks great and 1080p is still respectable in the online space. (But I still am tempted to upgrade.) The real drawback of doing video on this camera is the focus. The back screen makes it really hard to tell when things are in focus and nikon photography lenses really aren’t suited for manual focusing. Another thing that some of the more latest and greatest cameras have are better video auto focus features that the D600 just doesn’t have. All complaints aside, the best camera is the one you have on you and the D600 has been a work horse since I bought it and part of working in the creative space is being able to work within the limitations of your equipment and to a greater extent yourself to realize your creative vision.
I was actually really happy with how the video came out but I do want to improve a few things going forward. First I need to get a better stabilization setup. Not necessarily something fancy like a DJI RONIN or a Glide Cam but possibly a shoulder rig to give me more steady movements going forward. Also I need to get back on my music game because it’s very hard to get quality music that you can use in videos. Luckily Brain Altano has encouraged people to use the music he is now making for his new creative project Weird Heat on their own projects so I have decided to take advantage of his generosity.
I feel fortunate to have been able to shoot with how busy I have been lately but I’m finding it important to continue with my own creative endeavors. A lot of what my day (and night) job have me do is beneficial to my professional growth, but being able to do things like this black and white series makes me feel like still have the ability to flex my creative muscles.
When planning a quick shoot with Joy Coy I knew right away that I wanted to do something Poison Ivy related.
Especially since she started cosplaying the Character AFTER I had left new mexico. The hard part was coming up with of what kind of variation of the character we wanted to do. The first thing that popped into my brain was Biker Ivy especially given my new obsession of motorcycling. (I have just purchased Harley Davidson that I am currently in love with.) With a simple grunge setup and some stellar natural light I was increadibley pleased with the shots we get. If you want more Joy Coy and see some of her other nerdy and burlesque art you can check her out on Patreon at https://www.patreon.com/ohjoycoy
The creative part of my brain is significantly broken.
Not that I can’t be creative, but rather I can’t conceptualize what I want to do and then take the necessary steps to create my idea. Instead I treat every piece that I do as an improve performance. When I took music lessons I could never write an original piece but I could pick up any instrument and make it sound decent to a rhythm. I could never draw a coherent picture but I could doodle in my notebook in class all day long. The same thing goes for my photography, a lot of the time I just show up where I show up, get the camera out and just wing it until I’m happy with the images that I have captured. Lucky for me I have a lot of friends willing to work with my erratic style and do last minute shoots with no real solid concept behind them. That’s how this shoot with Tara came to be. It was on my most recent trip back to Albuquerque where we met at her place, we went through her wardrobe, picked out a few outfits and just shot for about 2 hours. As always, we had a ball just screwing around until we looked back at the photos and appreciated what we shot.
The thing I love about these photos was how we used natural light to really bring out some of Tara’s Natural features.
She is honestly one of the hardest working people I know and it shows. The thing both of us couldn’t get over in the photos were her abs. buy angling her just right in the window light we were able to accentuate that feature. It worked best when she was back lit by the window and the fill came from the rooms natural bounce light and some shadow raising in Lightroom.
What Tara typically brings to the table is a certain raw emotion to every photoshoot.
Sure she’s gorgeous, and her style with the tattoos and wild hair makes her look edgy, but the great thing about her is that she’s a genuine soul who just loves to be around other people as long as they are good people. She never looks fake, or “superior,” in her photos. She just looks like Tara, and that’s what makes shooting with her so enjoyable.
Virginia has had a lot of things going well for me. Stable job doing video production, a comfortable home life with a wonderful support system, and I’m the healthiest I have been in years. But if there is one thing it lacks it is the lack of connection with the modeling/cosplay community that I had back in Albuquerque NM. Going back home offered me the wonderful pleasure of working with a group of girls who I always have a ball shooting with. The Girls of Geek were always my favorite part of shooting in Albuquerque. Weather we were aiming for Nerdy or Sexy it is always great being around them. The best part of shooting with them is that it never feels like a photoshoot. It feels like a bunch of friends to goof around, play dress up and have some memorable pictures taken to commemorate the event. I’m happy to be living in Virginia, but as long as these girls are still in Albuquerque I’ll probably be finding my way back out there.
We got some overnight snow in the Northern Virginia area so I went out this morning to shoot some video.